Hello and Welcome to my pottery marks blog. Simply due to alot of time wasted on-line searching marks and dates for pottery I have decided to set up a simple blog with as many pottery marks and dates as I possibly can, putting all potters marks and information in one easy to access web-space. Please follow my post to the right for information about the marks I have reviewed for the blog. I will update daily in between nappy changes and feeds. Please send me all your potters marks and info to my queries email address retrovintique@live.co.uk were I will sort through them and post them here on my blog. This is going to take the best part of a year to complete without anyone's help:( So please bear with me.

Authors Notes

The Potteries of Stoke-on-Trent is a unique city in England.

It is made up of six distinct towns: Tunstall, Burslem, Hanley, Stoke, Fenton and lngton - collectively known as "THE POTTERIES".

Saturday 8 December 2012

John Astbury

John Astbury (b. 1688, England--d. 1743, Shelton, Staffordshire),
pioneer of English potting technology and earliest of the great Staffordshire potters.
Although from 1720 several Astburys were working in Staffordshire, it is John who is credited with the important Astbury discoveries and creations. He allegedly masqueraded as an idiot in order to learn the craft from the potting brothers John Philip and David Elers, who in 1688 had emigrated from Holland.

 Establishing a factory at Shelton in the early 18th century, he succeeded in producing yellowish-glazed red earthenware decorated with bits of white pipe clay (which he was the first to import from Devonshire); his mode of decorating with such appliqus is called sprigging. Thus, some of the earliest Staffordshire figures in brown and white clay covered with a lead glaze have been attributed to him

 Astbury is credited with being the first (1720) Staffordshire potter to use flint for improving the quality of earthenware mixture by making it whiter.
Figures now attributed to him reveal variously toned clays, as well as colours clouded to enrich them. He quite possibly originated the popular pew groups; i.e., two or more rigidly posed, salt-glazed stoneware figures, some engaged in such activities as playing bagpipes, wearing stylized costumes and seated on stiff pews. Similar groups of musicians only have also been attributed to him. His other typical figure groups are soldiers and equestrians, rather crude in appearance, modelled by hand after being cast in simple molds. His utilitarian products include mugs, variously shaped bowls, and teapots. He also made agate and marbled wares.

 Astbury's son Thomas experimented with the lead-glazed earthenware that was later called creamware and, improved by the great Josiah Wedgwood, eventually renamed Queen's ware. It was developed from the earlier white stoneware body and covered with a lead glaze

Type of ware produced:
Figures with variously toned clays, as well as colours clouded to enrich them.
The popular pew groups; i.e., two or more rigidly posed, salt-glazed stoneware figures:
Engaged in such activities as playing bagpipes.
Wearing stylized costumes and seated on stiff pews.
Groups of musicians.
Other figure groups are crude in appearance, modelled by hand after being cast in simple molds and include soldiers and equestrians.
Functional products include mugs, variously shaped bowls, and teapots.
Also agate and marbled wares.

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